Singin' and Dancing Back in Time.: edward everett horton

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Friday, March 18, 2011

In Caliente(1935)

In Caliente(1935), also known as Viva Señorita, is a film written by Ralph Block, directed by Lloyd Bacon, and starred Dolores del Río.

IN CALIENTE (1935), the story takes place in the popular Mexican resort, best known for horse racing and gambling. It stars Dolores Del Rio, in a fluffy story and wonderful choreography by, Busby Berkeley. Berkeley focuses on ballroom dancing popularized by Fred Astaire and Ginger Rogers.

The story begins when Larry MacArthur, critic of New York City's smartest magazine, Manhattan Madness, who is well known for writing bad reviews. Harold Brandon, vice president, wants to break up Larry's engagement to gold digger, Clara Thorne. Knowing the upcoming marriage will be a mistake, Harold gets Larry drunk and kidnaps him by airplane to Aqua Caliente, a Mexican resort. While there, he meets Rita Gomez, who he does not know that she is a dancer, that he criticized in his magazine. Recognizing Larry as the man who had given her a bad review, Rita wants to get even with him, with the help of Jose Gomez, her uncle. The situation becomes more complicated when Clara shows up to claim her man.

This very entertaining movie showcases Dolores Del Rio, Pat O'Brien and Edward Everett Horton. Another plus.. is the location filming at Agua Caliente. Chris Pin-Martin, as one of the mariachis, has the wonderful line, "English not so very good looking."

Fun Facts:

The costumes in "The Lady in Red" number were actually blue, but looked "red" when photographed in black and white.

Soundtracks:

•"In Caliente"
(uncredited)
Music by Allie Wrubel
Lyrics by Mort Dixon
Played during the opening credits
Played as background music
Played on guitar and sung often by the mariachis
(Chris-Pin Martin, C.R. Dufau, L.R. Félix and Carlos Salazar)

•"When Irish Eyes Are Smiling"
(uncredited)
Music by Ernest Ball (1912)
Lyrics by Chauncey Olcott and George Graff (1912)
Sung a cappella by Phil Regan, Pat O'Brien and Edward Everett Horton

•"To Call You My Own"
(uncredited)
Music by Allie Wrubel
Lyrics by Mort Dixon
Sung by Phil Regan
Played as background music
Whistled and hummed by Pat O'Brien

•"The Lady in Red"
(uncredited)
Music by Allie Wrubel
Lyrics by Mort Dixon
Sung by Wini Shaw, Judy Canova and chorus
Danced by The De Marco's
Sung a cappella by Edward Everett Horton

•"Muchacha"
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by Phil Regan
Sung and Danced to by Dolores del Rio and chorus

•"She's a Latin from Manhattan"
(uncredited)
Music by Harry Warren
Used as background instrumental

•"Tango Muchacha"
(uncredited)
Music by Harry Warren
Used as background instrumental

Happy Birthday: Edward Everett Horton!

Edward Everett Horton (March 18, 1886 – September 29, 1970), was a character actor. He had a long career in film, theater, radio, television and voice work for animated cartoons. He is best known for his work in the films of, Fred Astaire and Ginger Rogers. His voice was one of his trademarks.

His first starring role was in the comedy film, Too Much Business(1922). Next, he went on to perform in the film, Beggar on Horseback(1925). Horton, performed in some of Warner Bros.' early talkies, The Hottentot and Sonny Boy.

He is best known, for his work as a character actor in the films: The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934), Flying Down to Rio (1933). Which included the popular dance team of Fred Astaire and a 23-year-old Ginger Rogers. It is the first of the series to feature Ginger and Fred as the main attraction. The film was nominated for the Academy Award for Best Picture.

He also performed in the film, Top Hat (1935), Danger Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961), and It's a Mad, Mad, Mad, Mad World (1963). He last performed in a non-speaking role in the film, Cold Turkey (1971).

Fun Facts:

Author F. Scott Fitzgerald lived in a cottage on Horton's estate for a time in the late 1930s.

In a scene in Friz Freleng's cartoon Hare Trigger, Yosemite Sam (in his debut) calls himself "the meanest, toughest, rip-roarin'-est, Edward Everett Horton-est hombre what ever packed a six-shooter!"

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Bob Fosse

Was a musical theater choreographer and director, screenwriter and film director. He won an eight Tony Awards for choreography, as well as one for direction. He was nominated for an Academy Award four times, winning for his direction of Cabaret. He was identified with his third wife, Gwen Verdon. She was both the dancer/collaborator who he choreographed much of his work and, together with dancer/choreographer Ann Reinking, a guardian of the Fosse legacy after his death. Fosse is considered to be one the most influential coreographers of the 20th Century.

Esther Williams.

JANE POWELL

After rising to fame as a singer in her home state of Oregon, Powell was signed to Metro-Goldwyn-Mayer while still in her teens. Once there, the studio utilized her vocal, dancing and acting talents, casting her in such musicals as Royal Wedding, with Fred Astaire, A Date with Judy, with friend Elizabeth Taylor and Seven Brides for Seven Brothers, with Howard Keel. In the late 1950s, her film career slowed, only to be replaced with a busy theater and television career.Click picture to enter websight.

Jeanette MacDonald

Singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (Love Me Tonight, The Merry Widow) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (The Love Parade, One Hour With You, Naughty Marietta and San Francisco), and recorded extensively, earning three gold records. She later appeared in grand opera, concerts, radio, and television. MacDonald was one of most influential sopranos of the 20th century. Click picture to view fan website.

Joan Crawford.

Click picture to view website. Joan Crawford, born Lucille Fay LeSueur, was an American actress in film, television and theatre. Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well-received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s

Rodgers and Hammerstein.

Richard Rodgers (1902 – 1979) and Oscar Hammerstein II (1895 – 1960) the songwriting duo, on our musical page. They created many popular Broadway musicals in the 1940s and 1950s during what is considered the golden age. With Rodgers composing the music and Hammerstein writing the lyrics, five of their shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music. They won thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammys. Click picture to read movie reviews.

Cab Calloway

Calloway was a master of energetic scat singing and led one of the United States' most popular African American big bands from the start of the 1930s through the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86 .Click picture to view official website.