Rita Hayworth & Fred Astaire in two great 40's musicals...

You'll Never Get Rich (Columbia Pictures) is a 1941 Hollywood musical comedy film with a wartime theme starring Fred Astaire, Rita Hayworth, Robert Benchley, Cliff Nazarro, with music and lyrics by Cole Porter. The film was directed by Sidney Lanfield.
This was Hayworth's first starring role in a big budgeted film from her home studio Columbia Pictures. While the film was in production Life Magazine put her on its cover, and featured inside a photo of Hayworth kneeling on a bed in a nightgown, which soon became one of the most widely distributed pin-ups of all time. Hayworth, a talented and sensual dancer of astonishing natural grace and beauty, cooperated enthusiastically with Astaire's intense rehearsal habits, and was later to remark: "I guess the only jewels in my life are the pictures I made with Fred Astaire". The picture was very successful at the box office, turning Hayworth into a major star, and provided a welcome boost to Astaire who felt his career had flagged since breaking with Ginger Rogers.

One of the film's songs, Since I Kissed My Baby Goodbye, was nominated for an Academy Award for Best Song.

You Were Never Lovelier (Columbia Pictures) is a 1942 Hollywood musical comedy film, set in Buenos Aires. It starred Fred Astaire, Rita Hayworth, Adolphe Menjou and Xavier Cugat, with music by Jerome Kern and lyrics by Johnny Mercer. The film was directed by William A. Seiter.


This, the second of Astaire's outings with Hayworth, avoids wartime themes, and benefits from lavish production values – a consequence of the box-office success of the earlier You'll Never Get Rich. Kern here created a memorable standard with "I'm Old Fashioned", and there is a faultless trio of classic dance routines. Initially, Kern was unhappy about the selection of Cugat and his orchestra; however, when production was complete, he was so pleased with the band's performance that he presented him with a silver baton. Although Hayworth had a fine voice, Harry Cohn insisted on her singing being dubbed throughout by Nan Wynn.

The film follows the usual conventions established by Astaire in his earlier musicals, such as an anti-romantic first meeting between the two leads, a virtuoso dance solo for Astaire, a playful dance duet and a romantic dance duet.