MUSICALS, include humor, music, dancing and a story. One of the reasons I love musicals, is the use of beautiful background scenery. Dancers seem to perform as if there is a live audience watching. This is my version of DANCING WITH THE STARS.
Showing posts with label alice faye. Show all posts
Showing posts with label alice faye. Show all posts
Thursday, May 5, 2011
Happy Birthday: Alice Faye!
Alice Faye (May 5, 1915 – May 9, 1998). Faye's acting career began in vaudeville as a chorus girl, before she moved to Broadway and performed in the film, White's Scandals(1931). By this time, she was performing for radio audience with, Rudy Vallée's, The Fleischmann Hour (1932–1934), where she may have met her future husband Phil Harris.
She received her first major film break, when Lilian Harvey left the lead role in a film, Scandals(1935), in which Vallee, also performed. Faye received a makeover, which turned her from a singing version of Jean Harlow, to a softer look. Soon after, Faye performed in what many critics consider her best acting performance in the film, In Old Chicago(1937). The film was a recreation of the Great Chicago Fire, there was a scene so dangerous that women, except for the main stars, were banned from the set.
Faye, received wonderful reviews for her performance in the film, Alexander's Ragtime Band(1938). It was the musical which changed the status of musicals as light and fluffy to a respectable film genre. One of the most expensive films for its time, it also became one of the most successful musicals of the 1930s.
In 1939, she made the film, Rose of Washington Square with Tyrone Power. Although a big hit, the film was based on the real life of comedienne Fanny Brice, who sued Fox for stealing her story.
In 1940, Faye played the title role in the musical biopic, Lillian Russell. Faye always named this film as one of her personal favorites, but it was also her most challenging role. The tight corsets Faye wore for this picture caused Faye to collapse on the set several times and it shrunk her waist six inches.
After turning down the lead role, Down Argentine Way, Faye was teamed up with the studio's newest musical star, Betty Grable, in the film Tin Pan Alley. During the making of the picture, a rumor began that there was a rivalry between Faye and Grable. Between 1940 and 1945, Grable made more films than Faye and Grable was named the #1 box office star in the world. However, both actresses were very close friends and they never felt any rivalry between each other.
She frequently played a performer, often one moving up in society, allowing for situations that ranged from the serious to the comic. Films such as Weekend in Havana (1941) and That Night in Rio (1941), as a Brazilian aristocrat, showcased Faye's singing voice, comic timing, and flair for carrying off the era's romantic story lines. 1943's The Gang's All Here, might be the best example of these films, with lavish production and a range of supporting players (including Carmen Miranda in the indescribable "Lady in the Tutti-Frutti Hat" number) that camouflage the film's trivial plot and leisurely pacing.
In 1943, after taking a year off to have her first daughter, Faye starred in the musical Hello, Frisco, Hello. Released at the height of World War II, the film became another one of Faye's personal favorites and one of her highest-grossing pictures for Fox. It was in this film that Faye sang "You'll Never Know." The song won the Academy Award for Best Song for 1943 and the sheet music for the song sold over a million copies. However, since there was a clause in her contract stating that she could not officially record any of her movie songs.
As Faye's family life became more important to her, especially with the arrival of a second daughter. Faye signed a new contract with Fox to make only one picture a year, with the option of a second one.
Released in 1945, Fallen Angel was Faye's last film. Seventeen years after the Fallen Angel, Faye performed for the cameras again, in 1962's State Fair. Faye made only infrequent cameo appearances in films thereafter.
Tuesday, September 28, 2010
You can enjoy both Week-End In Havana (1941) with Alice Faye and Springtime in The Rockies (1942) with Betty Grable
Two of my favorite musicals that are pretty similar in style and music. The main exception is the leading lady. Alice Faye headlines Week-End In Havana while my girl Betty Grable tops Springtime in The Rockies. Both films feature several of the same actors, including John Payne, Carmen Miranda and Cesar Romero.
In Week-End In Havana, a cruise ship bound for Cuba crashes off the Florida coast, ship executive Jay Williams (John Payne) asks each passenger to sign a waiver that clears the liner of all responsibility. But when New York City shop girl Nan Spencer (Alice Faye) says no, it sets off a chain reaction of romance and rejection. Cesar Romero and Carmen Miranda co-star in this 1941 musical featuring the songs "Romance and Rhumba" and "Tropical Magic." Faye is quite good in her role as Nan, as she will not yield to Payne's continued pursuit. Romero and Miranda are also quite good. Should be noted that Faye was pregnant while filming this movie. What a trooper.
In Springtime In The Rockies, Broadway partners Vicky Lane and Dan Christy have a tiff over Christy's womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan's career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he's hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he's just up to his old tricks again. Betty is definitely the star as she gets to shine in several musical numbers. But Carmen Miranda is a riot as Rosita Murphy. You will be busting a gut everytime she appears onscreen. And actress Charlotte Greenwood adds a touch of grace. Springtime was a huge hit for studio 20th Century Fox as it was a top ten money earner in 1942 and solidfying Betty Grable as a major box office attraction. I love both films equally and I don't know if I could choose between them. So instead of making that decision, I just say watch them both and have a great time.
Thursday, September 9, 2010
Week end in Havana(1941)
Week-End in Havana( 1941). Directed by Walter Lang. Cast: Alice Faye and Carmen Miranda. Faye was pregnant during filming.
Week-End in Havana, is about Nan Spencer (Alice Faye), a sales clerk in the lingerie department at Macy’s, is asked to sign a waver after the cruise ship she’s on has an accident and she knows why the accident occurred. Nan, decides to vacation in Havana. Williams tries to entertain her, but realizes that the man who tried to pick her up (Cesar Romero) at a nightclub might be a better choice. To make things more complicated, Monte (Romero) is involved with Rosita Rivas (Carmen Miranda) who becomes jealous. Jay Williams should be in New York getting married, but finds himself in Havana a bit longer than he planned.
Alice made five films with John Payne within four years: Tin Pan Alley (1940), Week-End in Havana and Great American Broadcast( 1941) and The Gang’s All Here and “Hello, Frisco, Hello” (1943).
Wonderful music makes it enjoyable to watch on a rainy day when you want to travel to beautiful Havana.
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Soundtracks:
"A Week-End in Havana"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by Carmen Miranda in the opening number with chorus and band
Reprised by an offscreen chorus during the montage in Havana
Played as background music often
"Rebola a Bola (Embolada)"
Music by Aloysio De Oliveira and Nestor Amaral
Lyrics by Francisco Eugênio Brant Horta
Sung in Portuguese by Carmen Miranda in a nightclub.
"When I Love, I Love"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by Carmen Miranda at a nightclub
"Tropical Magic"
Music by Harry Warren
Lyrics by Mack Gordon
Spanish lyrics by Ernesto Piedra
Sung in Spanish by an unidentified trio in a nightclub
Reprised by Alice Faye
Reprised by Alice Faye and John Payne on a hay wagon
Reprised a cappella by Leonid Kinskey
Played as background music often
"Romance and Rhumba"
Music by James V. Monaco
Lyrics by Mack Gordon
Sung by Alice Faye and Cesar Romero while dancing, the other dancers
"The Man with the Lollypop Song"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by lollypop vendor Nacho Galindo outside Arbolado's
"The Ñango (Nyango)"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by Carmen Miranda at the nightclub
Sung and danced to by the chorus
Danced to by Alice Faye and John Payne
Week-End in Havana, is about Nan Spencer (Alice Faye), a sales clerk in the lingerie department at Macy’s, is asked to sign a waver after the cruise ship she’s on has an accident and she knows why the accident occurred. Nan, decides to vacation in Havana. Williams tries to entertain her, but realizes that the man who tried to pick her up (Cesar Romero) at a nightclub might be a better choice. To make things more complicated, Monte (Romero) is involved with Rosita Rivas (Carmen Miranda) who becomes jealous. Jay Williams should be in New York getting married, but finds himself in Havana a bit longer than he planned.
Alice made five films with John Payne within four years: Tin Pan Alley (1940), Week-End in Havana and Great American Broadcast( 1941) and The Gang’s All Here and “Hello, Frisco, Hello” (1943).
Wonderful music makes it enjoyable to watch on a rainy day when you want to travel to beautiful Havana.
-----------------------------------------------------------------------
Soundtracks:
"A Week-End in Havana"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by Carmen Miranda in the opening number with chorus and band
Reprised by an offscreen chorus during the montage in Havana
Played as background music often
"Rebola a Bola (Embolada)"
Music by Aloysio De Oliveira and Nestor Amaral
Lyrics by Francisco Eugênio Brant Horta
Sung in Portuguese by Carmen Miranda in a nightclub.
"When I Love, I Love"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by Carmen Miranda at a nightclub
"Tropical Magic"
Music by Harry Warren
Lyrics by Mack Gordon
Spanish lyrics by Ernesto Piedra
Sung in Spanish by an unidentified trio in a nightclub
Reprised by Alice Faye
Reprised by Alice Faye and John Payne on a hay wagon
Reprised a cappella by Leonid Kinskey
Played as background music often
"Romance and Rhumba"
Music by James V. Monaco
Lyrics by Mack Gordon
Sung by Alice Faye and Cesar Romero while dancing, the other dancers
"The Man with the Lollypop Song"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by lollypop vendor Nacho Galindo outside Arbolado's
"The Ñango (Nyango)"
Music by Harry Warren
Lyrics by Mack Gordon
Sung by Carmen Miranda at the nightclub
Sung and danced to by the chorus
Danced to by Alice Faye and John Payne
Wednesday, September 1, 2010
Tin Pan Alley (1940).





Tin Pan Alley (1940). Musical. Cast Alice Faye, Betty Grable, John Payne and Jack Oakie.
In New York, in 1915, 46th Street and 8th Avenue was known as Tin Pan Alley, the headquarters for song publishers. That's where you will find vaudevillian Harry Calhoun and Skeets Harrigan. To help pay the rent, Skeets must fight in the boxing ring. They hire the Blane sisters to sing their songs and Katie loans Skeets the money to buy the tune that makes them a success. Skeets gives a well-known singer the song that he had promised to Katie, Katie heartbroken joins her sister Lily in her London act. In London, the sisters become a huge success while back in New York, Skeets and Calhoun's business fails and Skeets is forced to return to the boxing ring to pay their bills. When war is declared, the partners, enlist in the army and are sent overseas to London. Will they be reunited?
Fun Facts:
Before filming began, there was a feud between Faye and Grable, although the two actresses had never met. On the first day of production, the actresses quickly became lifelong friends. A similar incident happened with Grable and Marilyn Monroe while filming How to Marry a Millionaire. Like the earlier incident, the two actresses became friends.
Tyrone Power and Don Ameche were considered to play the leading roles in the film. Scheduling conflicts took them out and the roles went to Payne and Oakie.
Tuesday, July 6, 2010
Alice Faye: Made her first major film break in 1934.

Alice Faye, she made her first major film break in 1934, when Lilian Harvey left the lead role in a film, Scandals(1935). Hired first to perform a musical number, Faye ended up as the female lead. And she became popular with film audiences of the 1930s. He changed Faye from a wisecracking show girl to a motherly figure as she performed in a few Shirley Temple films.
Cast in mostly musicals, Faye introduced many popular songs to the hit parade. Considered less as an actress and more as a singer. Best known for her performance in 1937's In Old Chicago. She more than held her own with co-stars: Vallee, Al Jolson, Charlotte Greenwood, and Edward Everett Horton, Don Ameche, Tyrone Power, and John Payne.
Song: Oh, You Nasty Man ~ 1934, performed by Alice Faye and Rudy Vallee. From Alice Faye's first film appearance.
Old Chicago(1937). Story of the great fire of 1871. Fictional story of two sons of Mrs. O'Leary, the owner of the cow which started the fire, one a rogue (Power) the other a lawyer (Ameche).
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