Singin' and Dancing Back in Time.: Dan Dailey

Tuesday, May 4, 2010

Dan Dailey

Dan Dailey, performed in vaudeville before his Broadway debut in 1937 in Babes in Arms. He then went on to serve in the United States Army during World War II, was commissioned as an Army officer after graduation from Signal Corps Officer Candidate School at Fort Monmouth, NJ. He then returned Hollywood to perform in the movie, Mother Wore Tights (1947). Dailey was Betty Grable favorite co-star. His performance in their film, When My Baby Smiles at Me in 1948 won him an Academy Award nomination for Best Actor. In 1950, he starred in A Ticket to Tomahawk, often thought of as the first screen appearances of Marilyn Monroe, in a very small part as a dance-hall girl. In 1953, Dailey starred in Meet Me at the Fair. One of his best known roles was in There's No Business Like Show Business (1954), which featured Irving Berlin's music and also starred Ethel Merman, Marilyn Monroe, Johnnie Ray, and Donald O'Connor.

As the poularity of musicals began to fade in the mid-1950s, he moved on to comedic and dramatic roles, including his television series, The Governor & J.J. and the NBC Mystery Movie series "Faraday & Company". His sister was Another World actress Irene Dailey.

Partial filmography:

The Mortal Storm (1940)
Hullabaloo (1940)
Keeping Company (1940)
Lady Be Good (1941)
Mother Wore Tights (1947)
You Were Meant for Me (1948)
When My Baby Smiles at Me (1948)
Chicken Every Sunday (1949)
When Willie Comes Marching Home (1950)
A Ticket to Tomahawk (1950)
My Blue Heaven (1950)
Call Me Mister (1951)
I Can Get It for You Wholesale (1951)
The Pride of St. Louis (1952)
What Price Glory? (1952)
The Girl Next Door (1953)
The Kid from Left Field (1953)
There's No Business Like Show Business (1954)
It's Always Fair Weather (1955)
Meet Me in Las Vegas (1956)
The Wings of Eagles (1957)
The Wayward Bus (1957)
Pepe (1960)
Hemingway's Adventures of a Young Man (1962)
Las cuatro noches de la luna llena (Four Nights of the Full Moon) (1963), co-starring Gene Tierney

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Bob Fosse

Was a musical theater choreographer and director, screenwriter and film director. He won an eight Tony Awards for choreography, as well as one for direction. He was nominated for an Academy Award four times, winning for his direction of Cabaret. He was identified with his third wife, Gwen Verdon. She was both the dancer/collaborator who he choreographed much of his work and, together with dancer/choreographer Ann Reinking, a guardian of the Fosse legacy after his death. Fosse is considered to be one the most influential coreographers of the 20th Century.

Esther Williams.

JANE POWELL

After rising to fame as a singer in her home state of Oregon, Powell was signed to Metro-Goldwyn-Mayer while still in her teens. Once there, the studio utilized her vocal, dancing and acting talents, casting her in such musicals as Royal Wedding, with Fred Astaire, A Date with Judy, with friend Elizabeth Taylor and Seven Brides for Seven Brothers, with Howard Keel. In the late 1950s, her film career slowed, only to be replaced with a busy theater and television career.Click picture to enter websight.

Jeanette MacDonald

Singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (Love Me Tonight, The Merry Widow) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (The Love Parade, One Hour With You, Naughty Marietta and San Francisco), and recorded extensively, earning three gold records. She later appeared in grand opera, concerts, radio, and television. MacDonald was one of most influential sopranos of the 20th century. Click picture to view fan website.

Joan Crawford.

Click picture to view website. Joan Crawford, born Lucille Fay LeSueur, was an American actress in film, television and theatre. Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well-received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s

Rodgers and Hammerstein.

Richard Rodgers (1902 – 1979) and Oscar Hammerstein II (1895 – 1960) the songwriting duo, on our musical page. They created many popular Broadway musicals in the 1940s and 1950s during what is considered the golden age. With Rodgers composing the music and Hammerstein writing the lyrics, five of their shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music. They won thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammys. Click picture to read movie reviews.

Cab Calloway

Calloway was a master of energetic scat singing and led one of the United States' most popular African American big bands from the start of the 1930s through the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86 .Click picture to view official website.

Tuesday, May 4, 2010

Dan Dailey

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