Singin' and Dancing Back in Time.: george montgomery

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Thursday, September 16, 2010

Coney Island (1943).

Coney Island (1943). Musical. Cast: Betty Grable in one of her biggest hits. A "gay nineties". George Montgomery, Cesar Romero, and Phil Silvers. Director: Walter Lang. Betty Grable also starred in the 1950 remake of Coney Island, named Wabash Avenue. In 1944, the year after the film was released, it was nominated for an Oscar for Alfred Newman in the category of Best Music, Scoring of a Musical Picture.

Katie Farley, is working as a saloon entertainer in turn-of-the-century New York. Eddie Johnson, believes that Katie is destined to be a star, comes up with a plan to turn the song-and-dance girl into a refined entertainer, even handcuffing her wrists and ankles so she would be forced to rely on her voice. Soon, Katie becomes a Broadway star, with the help of Willie Hammerstein and she and Eddie grow apart. After a brief romance with saloon owner Joe Rocco, Katie returns to the man she truly loves, Frankie. One of the musical numbers of Coney Island is Betty's version of the "Cuddle Up a Little Closer". The film was remade, again with Grable, as Wabash Avenue (1950).

This cute little film is a wonderful musical experience. One of my favorite performers, Betty Grable is not always given her due. I feel her dancing in this film is perfect. Grable's personality combined with her talent create a special magic. Grable gets good support from George Montgomery, Cesar Romero, and Phil Silvers.

Soundtracks:
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"Take It from There"
Music by Ralph Rainger
Lyrics by Leo Robin

"Beautiful Coney Island"
Music by Ralph Rainger
Lyrics by Leo Robin

"Miss Lulu from Louisville"
Music by Ralph Rainger
Lyrics by Leo Robin

"Get the Money"
Music by Ralph Rainger
Lyrics by Leo Robin

"There's Danger in a Dance"
Music by Ralph Rainger
Lyrics by Leo Robin

"Old Demon Rum"
Music by Ralph Rainger
Lyrics by Leo Robin

"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)"
Music by Albert von Tilzer
Lyrics by Junie McCree

"Cuddle Up a Little Closer"
Words by Otto A. Harbach (as O.A. Hauerbach)
Music by Karl Hoschna (as Karl L. Hoschna)

"When Irish Eyes Are Smiling"
Music by Ernest Ball
Lyrics by Chauncey Olcott and George Graff Jr.

"Pretty Baby"
Music by Egbert Van Alstyne and Tony Jackson
Lyrics by Gus Kahn

"The Darktown Strutters' Ball"
Written by Shelton Brooks

Monday, September 13, 2010

Orchestra Wives (1942)

Orchestra Wives(1942). Cast: Ann Rutherford and George Montgomery, Lynn Bari, Carole Landis, Cesar Romero, Virginia Gilmore, Mary Beth Hughes and The Nicholas Brothers. The film was the second and last film to feature The Glenn Miller Orchestra.

Connie Ward marries Bill Abbott, a trumpet player in Gene Morrison's swing band. She soon finds herself having trouble with the other band member's wives. She is also worried by the flirtation between Abbott and Jaynie, the band's female vocalist. When Ward decides to walk out on Abbott, the tensions among the musicians and their wives, come to a head and band leader Morrison, is forced to break up the orchestra. Ward and the band's pianist Sinjin then work together to reunite the band, which also produces a reconciliation between Ward and Abbot.

This wonderful movie seems to be almost unknown, yet it should be on the top of the list of every Glenn Miller fan.

Orchestra Wives features many wonderful songs by Mack Gordon and Harry Warren, who were also responsible for the songs featured in Miller's first film, Sun Valley Serenade (1941). The main production number is "I've Got a Gal in Kalamazoo".

An analogue of "Chattanooga Choo-Choo", from the first film that features a vocals and sax by Tex
Beneke, backup singing by the Modernaires, and the dance sequence by the Nicholas Brothers.

Other songs include: "People Like You and Me", "Bugle Call Rag"..

and the romantic ballads "At Last"..

"Serenade in Blue"...

The film score uses "At Last" as a musical motif that is played throughout the movie.

Glenn Miller's theme song "Moonlight Serenade" from 1939 also appears over the opening credits.

"Boom Shot", an instrumental composed by Glenn Miller and Billy May for the movie, also is played in the movie, first on the jukebox in the soda shop, then when Ann Rutherford and Harry Morgan are shown dancing.

Three future stars have uncredited appearances: Jackie Gleason plays the band's bass player, Ben Beck, and in the soda fountain scene, Harry Morgan is the soda-jerk Cully Anderson, who also dates Connie Ward (Ann Rutherford).

Dale Evans plays Ann Rutherford's friend Hazel. Pat Friday dubbed Lynn Bari's singing, as she had done in Sun Valley Serenade. George Montgomery's on-screen trumpet playing was performed on the soundtrack by Miller sideman Johnny Best.

Ann Rutherford began her film career in starring roles in Waterfront Lady for Mascot Pictures in 1935. Mascot merged with Republic Pictures, and Rutherford soon became a popular leading lady of Westerns with Gene Autry and John Wayne.

Afterward, she was placed under contract with MGM, where she performed in films: A Christmas Carol (1938) and Pride and Prejudice (1940).

She was loaned to Selznick International to perform as, Carreen O'Hara in Gone with the Wind (1939).

From 1937 until 1942, she played Polly Benedict in the Andy Hardy series.

She also performed in a series of mystery/comedies with Red Skelton, Whistling in the Dark (1941), Whistling in Dixie (1942), and Whistling in Brooklyn (1943).

In Washington Melodrama (1941). She left MGM to freelance in the early 1940's, starring in such films as Orchestra Wives (1942), Two O'Clock Courage (1945) and The Secret Life of Walter Mitty (1947).

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Bob Fosse

Was a musical theater choreographer and director, screenwriter and film director. He won an eight Tony Awards for choreography, as well as one for direction. He was nominated for an Academy Award four times, winning for his direction of Cabaret. He was identified with his third wife, Gwen Verdon. She was both the dancer/collaborator who he choreographed much of his work and, together with dancer/choreographer Ann Reinking, a guardian of the Fosse legacy after his death. Fosse is considered to be one the most influential coreographers of the 20th Century.

Esther Williams.

JANE POWELL

After rising to fame as a singer in her home state of Oregon, Powell was signed to Metro-Goldwyn-Mayer while still in her teens. Once there, the studio utilized her vocal, dancing and acting talents, casting her in such musicals as Royal Wedding, with Fred Astaire, A Date with Judy, with friend Elizabeth Taylor and Seven Brides for Seven Brothers, with Howard Keel. In the late 1950s, her film career slowed, only to be replaced with a busy theater and television career.Click picture to enter websight.

Jeanette MacDonald

Singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (Love Me Tonight, The Merry Widow) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (The Love Parade, One Hour With You, Naughty Marietta and San Francisco), and recorded extensively, earning three gold records. She later appeared in grand opera, concerts, radio, and television. MacDonald was one of most influential sopranos of the 20th century. Click picture to view fan website.

Joan Crawford.

Click picture to view website. Joan Crawford, born Lucille Fay LeSueur, was an American actress in film, television and theatre. Starting as a dancer in traveling theatrical companies before debuting on Broadway, Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford began a campaign of self-publicity and became nationally known as a flapper by the end of the 1920s. In the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well-received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money and by the end of the 1930s

Rodgers and Hammerstein.

Richard Rodgers (1902 – 1979) and Oscar Hammerstein II (1895 – 1960) the songwriting duo, on our musical page. They created many popular Broadway musicals in the 1940s and 1950s during what is considered the golden age. With Rodgers composing the music and Hammerstein writing the lyrics, five of their shows, Oklahoma!, Carousel, South Pacific, The King and I and The Sound of Music. They won thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammys. Click picture to read movie reviews.

Cab Calloway

Calloway was a master of energetic scat singing and led one of the United States' most popular African American big bands from the start of the 1930s through the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Adolphus "Doc" Cheatham, saxophonists Ben Webster and Leon "Chu" Berry, New Orleans guitar ace Danny Barker, and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86 .Click picture to view official website.